Best of IMM Cologne 2019 -A Design and Interiors Fair

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Koelnmesse | Studio Truly Truly’s Das Haus Project, Interior View

IMM Cologne Home and Interiors  showcases trends and invention in interiors and design – known for its sleek format and emphasis on technologically pioneering exhibitors it is one of the most important events in European design. This year the theme is pure atmosphere, a distillation of formal restraint, design purity with unusual touches. This coincides with the 100th anniversary of the Bauhaus school and there is even a section devoted to this important and lasting design legacy. With over 13,00 exhibitors it’s a unique opportunity to see up and coming talent as well as established furniture and design icons’ newest ideas and pieces.

 

Here are a few of our favorites from the IMM Cologne Fair this year.

 

Knoll, Mies-Van-der-Rohe, Barcelona-Chair, Mid-century-modern

The beautiful and iconic Barcelona Chair, originally designed by Mies van der Rohe for the German Pavilion of  the World Exhibition, 1929. IMM | Knoll International

 

 

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Koelnmesse | Giorgetti

Giorgetti  is known for unique and expected combinations and has a long history spanning over 100 years. The modern designs are based in part on a tradition of cabinet making and an emphasis on the unexpected use of materials.

All the pieces are made in Italy, from conception to production which is eco-efficient overall interestingly. In these fantastic chairs, Giorgetti uses restraint and geometry with exhilarating color, a sense of daring formalism comes together to create furnishing that is paired as a group or can be used a focal piece. The company is currently traveling an exhibition featuring its 120 history of design entitled Object to Project. 

 

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IMM | Studio Truly Truly

Studio Truly Truly’s beautiful Wove chair is an imaginative expression of modern sculptural form, water like gracefulness reminds one of suspension bridges.  This Australian pair is known for their extensive collaborations with top brands and design initiatives.  Based in The Netherlands, the duo is hands down one of our favorite design forces, and make a range of products beyond furniture including lighting, textiles, as well as entire spaces.

 

 

Das-Haus, Studio-Truly-Truly, House, Modern-Home, Organic-Home, Architecture, Open-space, Experimental-Design, Interiors, Truly-Truly-Studio, IMM-Cologne-2019, Design-Fairs, Interiors, Modern-Design

Koelnmesse | Das Haus by Studio Truly Truly

In fact, the team will be presenting this year’s Das Haus – or Interiors on Stage.Created with artistic vision, every year the Das Haus space is designed by a nominated architect or designer and is meant to provide a platform for the designer’s personal vision of beauty and function, answering how people might live ideally.

This year, Truly Truly has created a space called Living by Moods. Emphasizing changing schedules and needs, this home has a sense of organic flow and within there are special zones: Reclusive, Serene, Active and Reclining. This space and the entire Das Haus project is considered experimental as a whole, and interestingly enough this year’s design focused on the beauty of flux, the ever-changing dynamism of our daily lives. We love the modular furniture, dramatic light fixtures, intersecting lines and variety of layering materials, particularly the airy juxtaposition of open space and light, partitions and natural and manmade texures.

 

Koelnmesse | Das Haus by Studio Truly Truly

 

 

image.pngBilly Chair by Joe Smith | IMM

We are also captiavted by simpler projects such as that of young British designer Joe Smith of the young talents content. An interest in exaggerated form paired with craftsmanship and  industrial material drives this designer’s aesthetic and production. For this extraordianry chair, the designer was inspired in part by the construction of trains and bridges in the North of England, thus the cubic form and use of bolts.

 

 

image.pngIMM | INDO Urvi Sharma and Manan Narang

As we can see, the young talents competition is one of the most interesting resources for finding innovative technical projects that marry beautiful design with materials.

INDO’s lush geometry of the Ikat Credenza is a wonderfully designed project. This piece plays with the variability of the Kat fabric on a curvilinear classical form of the iconic modernist furniture profile of a mid-century modern tambour credenza, creating a sense of movement.

 

 

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Koelnmesse | Tobias Grau

German lighting designer Tobias Grau synthesizes artistic form with technological innovation to create unexpected yet sculptural formats. Headed by the designer and based in Hamburg, a holistic philosophy guides the process of making modern artistic lighting.  This series of lamps is one of my favorite IMM pieces.

 

 

Fotorundgang, Stand: Classicon, Halle 11.2

Koelnmesse |ClassiCon

ClassiCon is renowned for their pieces that combine artistic radicalism and classic modern design, considered art works in themselves. Collaborations have included with stellar design leaders such as Eileen Gray and Eckart Muthesius, as well as Konstantin Grcic.

 

 

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IMM| Mor Dogan | Piggo Modular Furniture

Last but not least is another Young Talent innovator -this modular furniture piece was designed by Mor Dogan for children’s waiting rooms. Inspired by her nephew who had to spent time in doctor’s office she wanted to bridge this often boring and stressful experience by creating a line of furnishings that approached design, usefulness and well-being.

Delightful Design + Pantone Color of the Year Living Coral

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Living Coral Pantone Color of the Year | Kravet Inc.

Lush Living Coral is the Pantone color of this year and in its most innovative embodiments in textiles, ceramics, furniture and decorative objects we can see a sense of classic modernist daring as well as bright minimalism.

 

In many ways this hue reflects other trends in design innovation including a new way of pairing bright almost Memphis style colors with classic mid-century. modernist design elements. We have a few favorite objects and furniture ideas that take this vibrant color and imbue it with design sensibility that pushes boundaries in style, form and tradition. One can go either opulent modern with high-end details or feature statement pieces in the delightful color.

 

Enjoy our curated pick for beautiful designs with Living Coral color. 

 

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The gorgeous Marie Chair by Essential Home combines the velvet plush coral with gold grid design.

 

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Coral colors can be added as more nuanced statement pieces in muted tones like this American Modern Russel Wright pitcher from Eclect Design, an elegant classic form beautifully revived by California-based Bauer pottery.

 

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Gan Low Stool | Nendo 

Color, tradition and form come together in this vibrant piece. Designed by Japanese studio Nendo, this coral Aram low stool is inspired in part by the traditional Indian technique that works with iron wires in circles. The table is constructed with powder-coated stainless steel wire.  We have admired the designs of Canadian born designer Oki Sato for some time, whose works are found in stellar collections including The Museum of Modern Art. This year Nendo was named the AW Architektur & Wohnen Designer of the Year.

 

 

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We also look the curvilinear lines and smooth silhouette of the coral covered sofa from Allsteeloffice, an unexpected subtlety of color and surface. Living coral is perfect for statement pieces for the home or office.

Design News -The Covet International Awards

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As many of you know, our content curator is invested not only in presenting gorgeous decorative content, but as well supporting young artists and designers. That’s why we wanted to showcase the Covet International Awards -and spread the word about this international contest.

They are seeking outstanding submissions in the areas of

 

Residential | Hospitality | Commercial | Sustainable Design 

 

The deadline is December 15th, 2018.

 

This exciting award series is honoring the very best in interior design projects allover the world. celebrating and working to elevate creativity in the field, an expression of a commitment to the importance of decorative arts in our world today, as well as nod to the importance of handicraft and quality workmanship, a form of art and craft that may be fading from our lives too soon. Learn more here: https://covetawards.eu

 

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The Covet Awards are Sponsored by the BR HANDS FOUNDATION and COVETED

Leaders in Contemporary Design – Laskasas from Portugal

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Laskasas is a Portuguese furnishings and home décor company distinguished by a sense of modernist style with a twist.

Emphasis on sculptural design, ornate yet refined materials and a depth of texture and color mark the aesthetic of this innovative company. Every space and item has an opulent warmth to it without sacrificing style and originality. Understated rich color and curvilinear forms are ever present.

Laskasas is part of an important contemporary trend in Portugal that takes traditional artistry and merges these techniques inventively if not lushly to create new interpretations of modernist decor and furnishings. Indeed, Portuguese craftsmanship has been increasingly at the forefront of the design world, a tradition of centuries old invention and skill that includes outstanding achievements in areas of decorative arts such as azulejos,ceramics, embroidery, leaf gilding, and woodworking among many other areas.

 

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The company’s founder and CEO Celso Lascasas began the company in a small town near Porto, with the intention of offering high quality and innovative design in every aspect of home décor. The company oversees every aspect from design to production to sales as well and today, Laskasas is well established in its home country, and is now beginning to garner the attention of the design world, lately featured in various important design shows all over Europe including Maison & Objet and Milano Fashion Week.

We are delighted to feature the fine work and design of this innovative new company.

 

 

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Contemporary Design: Innovative Meets Tradition

 Where do you see Portugal in terms of the design world? 

Portugal is a small country of great talents, including the art of making stunning and innovating design pieces. Many brands are now producing their own designs and therefore continuing the legacy of Portuguese craftsmanship therefore creating truly remarkable products capable of adapting to any style of décor. I believe that the main inspiration comes from Italian furniture design but always with a modern twist, prevailing the noble materials and exclusive finishes. And that’s really what puts Portugal on the front row in the design world.

 

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Tell us about your company?

We design, produce and sells all our products and of course, none of this would be possible without Celso Lascasas, the brand’s founder and CEO. As well, Diana Leite our COO guides our brand. All timeless designs are the result of an inspired team coordinated by Pedro Neto.

Tell us about some of your newest and most interesting projects that your creative team is truly excited about.

 

 

The Stewart TV Cabinet is a detailed woodwork piece with crossed leaves of wood as well as metal details on the legs and the door pulls. This inspired vintage design is meant to add a sense of luxury.

The Jean Sofa is a beautiful upholstery piece utilizing a vintage upholstery approach: the Chesterfield buttoned technique. We have also mixed classic and contemporary styles in the wood and metal details.

 

The Pearl Console stole everyone’s heart! This handmade piece includes golden stainless steel and a stunning Port Laurent marble top and structure. With bold materials and finishes, it’s meant to be a statement piece exuding sophistication and luxury.

The Donald Armchair is a contemporary upholstered piece set in a sophisticated golden round stainless-steel foot. The compact and curved appearance gives this armchair the modern look of mid-century.

 

And can you tell us more about your craftspeople, manufacturing process and vision? 

Handmade techniques give a unique touch to all our pieces. Being based in the epicenter of furniture in Portugal allows us to have the best suppliers and materials. Our woodworkers, upholsterers and metalworkers have accumulated, along the years, the experience and know-how to perfectly execute our designs. Complete customization is one of our key strengths and that is the vision and motto.

 

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Learn more about the design vision of Laskasas.

Four Beautiful Modern Kitchens

In North America holiday season is fast upon us, and many of us are thinking about our cooking and entertaining spaces. Some of us are even renovating before the season really gets into full swing!! Now, while we all love the perennial appeal of a white crisp kitchen whether traditional or nordic style, there is so much to think about when it comes to choosing a space with depth, character and layered hues. We hope you enjoy our gallery of sophisticated kitchens distinguished by elegant combinations of natural materials and mid century modernist classicism.

Stunning Kitchen #1: A Historic Space with Contemporary Flair

 

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This grand space takes historic architecture and marries it with the most au courant of kitchen style, Archetipo 10, courtesy of L’Ottocento.

 

Stunning Kitchen #2: Depth in Color -A Contemporary Aesthetic

 

Original BTC Fin Medium Pendant Kitchen Lighting Lifestyle

A gorgeously romantic and modern space with sable colored stone counters and dark wood cabinetry complemented with original BTC Cosmo Pendants, such a stunning picture of contemporary style and taste. Courtesy of BTC. 

 

Contemporary Kitchen #3: Go Black with Luxurious Texture

 

Original Style Tileworks Nero Venato CS2142 12060

This stunner of a space takes Nero Venato tile in the most beautiful of grays and mixes it up with gorgeously veined stone, offset with noir countertops and dramatic lighting. Courtesy of Original Style. 

 

Modern Kitchen #4 -Pared Down Modernism

 

Original BTC Cosmo Pendants (on) Kitchen Lighting Lifestyle

 

If using your kitchen table for parties and or a working and family space is a definite, then the choice of a farmhouse table is clear. But the rustic look is beautifully made unique and stylish with modernist lighting fixtures such as these BTC Fin Pendant lights, adding style and ambient lighting. Courtesy of BTC Original.

 

 

Fabulous Bedrooms

Decorating a bedroom is always a personalized project that should encompass style with comfort and touch of sensuality and character. Focus walls with faux weathered historic looks, great wallpapers, ornate beds, classic sheets and Bloomsbury House style…we love all these amazing looks for your new bedroom…

 

Elegant Black and Gold

 

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Luxxu – an ornate luxury look with a sumptuous contemporary feel.

 

Hollywood Regency Goes Tropical

 

Ariel Bed - Kingsize - Luxury Velvet Cloud-2

Dreamy blue….Somewhere between fairytale, mid century modern and art nouveau we jut love this king sized Ariel bed in luxury velvet cloud from Sweetpea and Willow

 

Snow White Classicism

 

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The delicacy and freshness of white…a classic choice with a touch of femininity,  Romantic Ruffles Bed Linen, The French Bedroom Co

Boho Eclectic Style

 

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Eclectic style, art, patterns, Kantha quilts combined with metallics and Block Print Strip Wallpaper, Farrow & Ball

 

Adam Christopher Design -Geometry of Form

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Adam Barnes of Adam Christopher Design is a UK-based designer and artist whose practice includes sculpture and product design. Barnes’ work has geometric poetry to it that blends modernist iconic form with a sense of elegance. While the planters and sculptural containers are made of concrete, they resemble the delicate folds and sharp edges of origami and in some case the delicacy of eggs.

It was such a pleasure to learn more about this creative’s body of work and story. Enjoy the interview!

 

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Please tell me a bit about your schooling, training and evolution as a visual artist -I see you changed careers recently in a way…

It wasn’t anything spectacular, I failed my A-Levels decided to go to art school and was determined to do better so knuckled down and got A’s instead of U’s.  I had enough of education then as I was never great at it so decided to sell cars in an attempt to follow in my Dad’s footsteps but hated it and was again rubbish at it. So I went back to education and did car design, got a placement with Ford designing cars for them and then got a job with LEGO straight form Uni. I did that for nearly 3 years and then went at it on my own and started with sculptures but moved more towards the planters.

I learnt a lot whilst doing the sculptures about materials and loved the usability of concrete so that has stuck with me throughout. You can’t easily create any of the shapes I come up with but concrete makes it a bit easier in the sizes I like to work with.

I am entranced by the Brancusi like forms…if you were to describe your own aesthetic or style in a few sentences what might you say?

It would depend whether you are talking about my design or sculpture, the two are deliberately very different. My design work is origami, geometric style and you could liken the planters to opening seeds as the forms like Kronen and Prisme can open and close if folded from paper.

 

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Adam Barnes Grey and White Flame Sculpture

 

And your sculpture? 

The sculpture is more flowing and is a bit of a release from the brutalist lines of my design work. The most influential designer of my time when I was studying was Chris Bangle who over saw the flame surfacing design language of the early 00’s. The key to my sculptures is how the surfaces play with each other and flow around the form.

 

Adam-Christopher-Design, Custom-Sculpture, Modern-Art, Contemporary-Art, Outdoor-Sculpture, New-Art, Concrete, Adam-Barnes, Planters, Contemporary-Design, Product-Design

 

Can you tell me a bit more about your Flame sculptures?

Flame was part of a developmental program I did a long time ago and was really about looking at fire and how the lines created in it are constantly changing but always pretty. I tried to capture the essence of a flame but in a bit more of an interesting shape than something simpler. There are a lot of lines there that work together and make it look simple but actually the lines all need to work together to balance the form and work in harmony.

 

 

As well as the sculptures your oeuvre includes mostly functional objects, tell me more about this area of concentration? 

I am interested particularly in the way your pots seem to be an admixture between luxury and industrial materials, in what way has your work in the auto industry informed your artistic practice?

Basically, I prefer stuff with purpose, if something has a function or a reason for existence then it is easier to relate to it. A sculpture that does nothing is nice to some people but a sculpture that doubles as something else is much more appealing and justifiable.

 

Garden-Decor, outdoor-living, Adam-Christopher-Design, Custom-Sculpture, Modern-Art, Contemporary-Art, Outdoor-Sculpture, New-Art, Concrete, Adam-Barnes, Planters, Contemporary-Design, Product-Design

 

 

Learn more about Adam Christopher Design 

The Beauty of Sustainable Handmade Artisan Textiles from Marigold Living

Marigold-Living, Textiles, Indian-Block-Prints, Placemats, Linens, Boho, Decor, Tabletop, Tablelinens, decoration, interiors, interior designs

Marigold Living is an independent company sourcing handmade traditional textiles from  India artisans working within a unique model based on fair pricing while valuing the legacy of artistic technique and tradition.

Many of these complex and extraordinary textile techniques and visual handwork traditions are in danger of becoming extinct for myriad reasons such as everyday financial pressures faced by the artisans, changing trends in style, and even the replacement of handmade textiles with new technological printing and embroidery techniques. Inevitably with such automated techniques, there is a loss of intricacy, variation and tradition that can only be passed down from person to person.

Marigold Living founder Shreya Shah explains:

“Traditional practitioners of craft face competition from quicker techniques that result in less inconsistencies and allow for large-scale production. Printing techniques like screen printing and even digital printing, can replicate the “look” of a hand block print, as can power loom weaving versus hand weaving. 

With the proliferation of these modified techniques, there is a meaningful dilution in the aesthetic of the final product in my view, and a slow erosion of the richness one can get in a handmade object made using traditional techniques.”

 

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“Many of these artisan shops are not incentivized to follow the laborious authentic techniques. Instead, driven by global demand for cheaper Indian “handmade” textiles, many artisans have already jumped ship to the larger scale segment of screen printing, and taking short cuts in block printing at lowered prices. I hope to create products for this market using the traditional crafts and traditional designs, updating them without losing the rich underlying cultural aesthetic. “

 

 

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What inspired you to begin this company? 

I have had a long-standing fascination for handicrafts in general from my early life – having grown up in Mumbai and surrounded by exposure to exhibitions, specialty stores, and home-based businesses that carried some of the finest handcrafted saris and home linens. The beauty of heritage textiles was part of our family life, and both my mother and older sister were a big influence on me. We would always seek out unique, regional, specialty saris for my mother’s daily wear, and for social occasions for my sister.

While my education and career have always been in business and finance, the early beginnings of Marigold Living actually happened while I was getting my MBA at NYU in 1995. It was striking to me that there was very limited, if any, availability of high quality textiles or handicrafts from India in the US, so I decided to make that my project for an Entrepreneurship class. Of course, it took several years before I could take on building the business due to my demanding career in finance, but I am excited to have officially launched the brand this past March of 2018.

 

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Any important stories you would like to share about your artisans? 

In my view, the bigger story of artisans in India is their inherent knowledge of techniques – weaving, hand printing, wood block carving, dyeing, embroideries, etc. It always fascinates me as I discover more communities about how esoteric the skills and even the aesthetics are by region and community. They each having their own heritage that is passed down through generations. In our modern-day consumerism, we are quite unaware of the wealth of knowledge that is at the risk of being lost. Similarly, these artisans are also sometimes unaware of their own level of expertise, because they have been making things for their own use for centuries. They are not fully able to capitalize on it, due to lack of exposure and education to make things that would be exciting and beautiful for a modern-day consumer.

 

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Tell us more about the Women Artisans….

The women artisans often work on their craft alongside working in their homes and taking care of their families. For example, my applique line (fine hand stitching of cutouts) is done by women in a remote rural region at the border of India and Pakistan. This community migrated from Pakistan in the 70’s and they all settled in this one region which is still quite underdeveloped the women have been taught to do this applique work by their families over generations.

 

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The work arrangement is flexible, and women work on it at their own pace and get paid per piece completed. The area would require government permission to even visit, but my supplier organizes this work, sending the textiles to them and assigning pieces to women looking for work. The process can take up to 3 months to get an order completed.

 

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And Parsi Embroidery….

I have also visited a small town in Central India where I get my Parsi embroidery done. While my supplier is herself from the Parsi community and is fully knowledgeable about the heritage, today Parsi women do not make the embroidery because it went out of fashion. Luckily, the craft has survived and embroiderers from other regions with embroidery skills are able to recreate the intricate designs. While exploring the local market in this town, my supplier pointed me to shop after shop carrying “shadow work” embroidery designs on saris, which is a more casual local embroidery style. There is a pocket of this artisan community there that does that type of work and I am very keen on cultivating it to make table linens.

 

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Can you tell us a bit about a few of the traditional printing techniques used?

Hand block printing, resist printing and bandhani tie-dye printing are a few of the various techniques I have used so far in my collections. Block printing is the process of hand-stamping elaborate designs engraved on wooden blocks onto cotton or silk fabrics. Resist printing is a technique where patterns are hand block printed on white fabric using a dye-resistant paste (typically made with mud or wax), and then placed in a dye bath. Once the resist is removed, the eye-catching patterns remain in white against a striking colored background.

 

 

 

 

Bandhani tie-dye printing is where several points in the fabric are tightly tied with thread to create numerous dots, before dipping the fabric into vats of colorful dye. The tied knots are then opened, forming a delightful pattern of white spots against the colored background.

 

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Tell us more about the investment in traditional Indian artwork and the people you work with, and how you support them in the work and lives. 

The handicraft sector forms the second largest source of employment in India after agriculture, with millions of artisans working in it – as the majority of the population in India (~70%) still lives in rural areas. It’s also important to note is that Indian crafts have been world-renowned for centuries, sought after by both aristocrats and common people. This was until the advent of Industrial Revolution, when mechanization changed everything.

The block printers, weavers, embroiderers that I meet in the course of my work are prolific in their work, they have the concentration and the skills required to produce high quality work, all done by hand. These skills are passed down from generation to generation, and the knowledge is deeply ingrained in each artisan community. However, with lack of direction on fashion and keeping it relevant for the modern-day consumer, handicrafts remains a largely disorganized sector that is still operated as a cottage industry. A majority of the artisans do not have the benefit of education either.

 

Visit The Marigold Living Website

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Extraordinary Walls by MOKO

 

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Today, innovative wall covering newcomer MOKO Interior produces 3D wall coverings made of real wooden veneers of 5 layers, all gorgeously designed and produced in Hungary. The creations are like sculpture and create stunning atmosphere and presence. The size of the panels alone are astounding  — one standard piece is 94 x 94 centimeters and as such the walls are architectural elements in of themselves, and the company often will design features for a custom space as well, a boon to designers. In fact, their panels inspired Marcel Wanders to design a new motif for MOKO -to debut very soon.

 

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The designs are not composed of solid wood but rather thin wooden layers, and one panel weighs only 10 kg, so they are easy to install and transport. As well inside the panel there is an empty space which can be filled with sound absorbent materials to create an acoustic version of each motif.

 

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It’s such a pleasure to be able to interview the people behind these amazing inventions…..

Can you tell us about the inspiration behind the creation of the company? What drove you to create the product?

We always had the idea in the back of our minds -the desire to see if we could create  bent 3D wall panels. At first, it seemed impossible to “force” the wood to this shape.

How long did it take to develop these wall panels?

It took us one and a half year to develop it and to push the boundaries of the material.

Can you share more about your staff and creative team?

We have a team of 50 people based in Hungary, including designers, production team and sales department. Zsolt Karajz is the lead designer, who invented the motifs of MOKO. The production team is led by Zsolt Szabó, wood expert. We have a showroom in the city centre of Budapest with 8 wall surfaces showing different MOKO solutions and a professional sales team led by Krisztián Szetei, managing director.

Where are the materials made?

We only use the best quality wood originated from forests planted for production purposes. Most of the veneers we use are custom made for us. Our team is committed to environmentally sustainable solutions. We work with FSC certified wood veneers only and make sure that the adhesives and surface treatments used are eco-friendly also.

 

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What is the process of manufacture and handicraft?

MOKO Interior deals with the design and manufacturing of mainly handcrafted multilayer structured wooden wall coverings. On the one hand the curved shapes and the visible surface treatments (grinding, polishing, staining and oil layers) require the highest handicraft that cannot be replaced by any machinery. The real value of the MOKO panels lays in the bare-handed craftsmanship. We intend to create the highest quality products, excluding mass production in the classic sense.

On the other hand, for some parts of the production process (molds of the patterns, bending the veneers, drying the surfaces) we only use high-tech computer-controlled machines for quality assurance.

What are the challenges of working with wood? We all know the story of making bendable malleable plastics to create organic sculptural furniture, such as the tale of invention for mid century modernist furniture like the Eames….

Bending an inflexible material was a big challenge, because the wooden veneers break very easily so we had to develop a special production technique to create the standard collection. The curved shapes we design require the highest handicraft and a long process of experimentation.

 

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As an extreme result we managed to manufacture the Volga Corner which is special because the panel itself is also bent and follows the shape of the corner.

A bit about the craftspeople who make the wall coverings?

MOKO Interior started as a family business, in some way everyone was connected to wood. The people working in the production have a special perspective and sense for creating wooden surfaces.

What are some of your most interesting and challenging projects?

We realized a project in San Francisco last year, in Dolores Park, where the client requested a completely customized solution, inserting a staircase between the panels.

 

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Dolores Park West, San Francisco

Other exciting projects?

At the moment we are working on two challenging projects, one is based in Canada and the designer is planning to put MOKO panels around an artificial fireplace.

The other project is located in Dubai. We produced a bespoke sized panel with a new motif designed by Zaha Hadid Architects for the lobby and the corridors of the Opus Hotel. The realization of this project is scheduled for the end of this year.

 

Learn more about the vision of MOKO. 

 

 

Décor Trends for Spring

Décor trends for springtime fun. If you enjoy Scandinavian style, artistic and modern touches but want some fresh ideas welcome to our gallery of spring time decor ideas.

Bunnies are the star of the show here, but with a twist, from artistic textiles to art prints, sculptures and bedding, modern whimsy rules.

 

Art, Prints, Drawings, Norsu, bunnies, scandinavian, textiles, kids-decors, pillows, inspiration, interior-decor, decorating-ideas, interiors, new-interiors, pink, springtime, decorating-ideas

 

When paired with Scandinavian hues and texture, pink is made warm and modern. Offset by gray and a sweet but edgy art print, this room is fresh enough for spring and stylish for the most discerning of art and design lovers. We love the dusky colors and this delightful creature Miss Della.

 

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For those of prefer subtle spring time or easter themes in their modern decor, why not the Ferm Living Rabbit Mirror from Einrichten Design.

 

SS18 Scandi Main

A charming touch of spring with this rabbit sculpture from SS18 Scandi Main, B&Q.

 

Spring Decor, Spring, Easter, Kids, Art, Design, Interior-Design, Nursery, Childrens-Bedroom, Bunnies, RabbitsChildren’s Art Print – Bunny Business from Schmooks

 

bunnies, scandinavian, textiles, kids-decors, pillows, inspiration, interior-decor, decorating-ideas, interiors, new-interiors, pink, springtime, decorating-ideas

Bunny Print Wera cushion cover with pompoms from Dekoria

 

 

Cuckoo-Land, bunnies, scandinavian, textiles, kids-decors, pillows, inspiration, interior-decor, decorating-ideas, interiors, new-interiors, rustic, woodland, springtime, decorating-ideas

Bring spring with something woodland and fun like this SNURK Furry Friends Duvet Set from Cuckoo Land.